What is up Good People? This time around we take a second (for us) but first (for you) look into the comparison of two classic metal records. We'll let you guess which two! And this time we are joined by first timer, Chef Eric. He brings some HOT takes to the show!
[00:00:00] What is up, good people! Welcome to Music Mostly, the podcast where we celebrate the music
[00:00:07] that is important to us. Thank you so much for joining us. First and foremost, as always,
[00:00:11] a giant shout out to the very good people in the service and hospitality industries.
[00:00:15] Thank you for all the hard work you do. And the rest of you pricks when you go out
[00:00:19] always without exception, tip-like rock star and don't be a dick.
[00:00:23] Jimbo, you got anything to add to that?
[00:00:25] No, you always just say it so eloquently. I just don't know I can't add to that.
[00:00:31] Fair enough. But I don't want to cheapen it.
[00:00:34] I appreciate you.
[00:00:55] I'm your host, my name is Will Olson and I'm ecstatic. To be joined by my good friend
[00:01:23] and regional icon Mr. James Raymond Scott, how you doing Jimbo?
[00:01:26] I am fairly well adjusted today. The new meds are really working.
[00:01:31] Are those like smoked or liquid meds?
[00:01:34] Well, just I'm not on any meds. Maybe it should be. I don't know.
[00:01:41] Getting a point in my life where it's becoming necessary.
[00:01:45] It's natural that way, don't worry.
[00:01:46] We are joined by our buddy, the fellow who makes us sound so great Mr. Brian Gardner.
[00:01:52] How you doing tonight Brian?
[00:01:54] Great. Doing great. Thank you.
[00:01:57] You are welcome and I am fine.
[00:02:00] And tonight we are joined by a very special guest. Number one in the kitchen.
[00:02:04] Number two in your hearts, my friend Mr. Chef Eric Simchak.
[00:02:07] Eric, how are you tonight?
[00:02:08] Life is good. I'm a joy and a beautiful day.
[00:02:10] I'm excited to be here. This is something fun. I've never done this before.
[00:02:13] Yeah, this is your first podcast right?
[00:02:14] I think so. Yeah, I'm excited. I think I've, you know, we'll see if this is a new career for me.
[00:02:19] It's never too late to pick up.
[00:02:20] Yeah. Yes.
[00:02:21] And I know anybody in.
[00:02:23] I heard podcasts make so much money nowadays by the way.
[00:02:26] So it's crazy.
[00:02:28] If you want to start your own podcast, you could literally call it Pivot from the kitchen.
[00:02:33] There we go.
[00:02:33] It's already known.
[00:02:34] It's already known.
[00:02:34] It's already known.
[00:02:35] It's already known.
[00:02:36] Oh, all right.
[00:02:38] Before we get going, I'd like to remind you that
[00:02:41] we put out the accompanying music playlist to the show a few days before the episode comes out.
[00:02:45] So you have a chance to listen to the music that we're going to talk about today on the show.
[00:02:49] So go to Spotify, find our user profile.
[00:02:51] It's music mostly pod and follow that and be notified when new playlist drop.
[00:02:56] All right, here we go.
[00:02:58] It's 2024 and it's officially the 20th anniversary for Yelp.
[00:03:03] You know, Yelp, the online restaurant review form or anyone can review any experience had at
[00:03:08] any restaurant.
[00:03:09] It's great.
[00:03:10] It has finally brought to the general public the ability to opine and critique restaurants with
[00:03:14] the level of balance and nuance unparalleled in society.
[00:03:18] Me and somebody's opened a restaurant back in 2009.
[00:03:20] It seems like forever ago.
[00:03:22] The internet was different back then.
[00:03:24] It's hard to imagine a time where the internet was more innocent, but I assure you there was one.
[00:03:28] This is before cell phones had web browsers before mobile apps.
[00:03:31] You still need it a computer to get on social media.
[00:03:34] You still need it a computer to access accounts and things like Facebook and MySpace.
[00:03:38] And Yelp.
[00:03:39] And you still need it a computer if you wanted to Yelp.
[00:03:42] There was some gatekeeping.
[00:03:43] Any jackass with a smartphone couldn't just hurl badly lit photos and knee jerk reactions into the world.
[00:03:49] This is a time when you could count on the Yelp community to come through for you if you did a good job.
[00:03:54] Somebody's an eye, like I said, open a restaurant in 2009.
[00:03:56] We had poured ourselves into this restaurant.
[00:03:58] I was working like 16 to 18 hours a day for a month.
[00:04:01] We were open and serving food till 1 a.m., and then the brewers would come in root beer overnight.
[00:04:05] It was insane.
[00:04:06] But it was all worth it.
[00:04:07] All the time in energy we poured into it was going to pay off.
[00:04:10] The community was going to have our back and it was going to show on Yelp.
[00:04:13] I'll never forget the first review we got.
[00:04:15] It was like two or three days after we opened.
[00:04:17] All the sweat, all the tantrums, all the stress.
[00:04:20] The result of which was succinctly summed up by a reviewer on Yelp with the eloquent title,
[00:04:25] bandwagon, more like barf wagon.
[00:04:29] This dude.
[00:04:30] Glare.
[00:04:31] Unhappy.
[00:04:32] Oh over the first few months, we got blasted.
[00:04:35] We were quote, reviewed, unquote by all kinds of wannabe critics on Yelp.
[00:04:40] Podcasts, blogs, you name it.
[00:04:42] Newspapers have an adage if it bleeds at leads.
[00:04:45] Shot can snark get attention.
[00:04:46] Nowadays we call it clickbait.
[00:04:48] If you ate a bandwagon last night, you need to know this!
[00:04:52] I know for a fact that people have gone into a place with the intention of ripping it apart for the clicks.
[00:04:58] Turns out maybe give in a voice to everyone while being the best way to democratize criticism is
[00:05:02] not the best way to get objective and honest criticism.
[00:05:06] Maybe we don't need gatekeeping per se, but some sort of vetting.
[00:05:09] On the flip side, the New York Times has exactly one restaurant critic for the entire city,
[00:05:13] all five burrows.
[00:05:15] Our new place opens the New York Time waits at least three months before they show up.
[00:05:19] Give them just a given time to figure out where everything goes.
[00:05:22] Former critic Brian Miller established a set of three rules
[00:05:26] to help ensure fairness and objectivity.
[00:05:28] One, beat him and him but fair.
[00:05:30] These are people's livelihoods you were messing with.
[00:05:32] Two, be specific.
[00:05:33] If you're a critical of food, explain precisely why it is a substandard.
[00:05:36] It is not fair to the chef to simply declaim you don't like it.
[00:05:40] Three, never go to restaurants when you are bored, tired or not hungry.
[00:05:43] Your readers dine out enthusiastically and hoping for the best.
[00:05:48] So should you.
[00:05:50] The part where you go into a restaurant in a bad mood, take it out on the staff
[00:05:53] and then write about how the place sucked is not part of the rules.
[00:05:55] Criticism has taken seriously.
[00:05:57] You go back to a place three or more times to gauge consistency.
[00:06:00] You dine solo, you dine with a group,
[00:06:02] you go there on a date and so on and so forth.
[00:06:04] That is how you professionally rate and review something.
[00:06:08] Here at Music Mostly I like to think we're somewhere in between the two.
[00:06:11] We all, including our guests, have the professional experience
[00:06:14] to absorb something objectively.
[00:06:16] We all know what it's like to put something out there to be judged
[00:06:18] and to be judged on it both fairly and unfairly.
[00:06:21] We also have an albeit loose set of rules here, at least one rule.
[00:06:24] We don't pick anything to talk about that we don't want to celebrate.
[00:06:28] So in that spirit tonight, we're going to talk about two of what I think are the top five
[00:06:32] metal records ever put out.
[00:06:34] We're going to talk about them objectively but also subjectively.
[00:06:37] We're going to talk about how they stack up today because they're both about 35 years old.
[00:06:41] We're going to talk about their legacy and their influence.
[00:06:43] But mostly we're just going to talk about them because we love them.
[00:06:47] Tonight we're going to talk about ride the lightning and master of puppets by Metallica.
[00:07:25] What do you think about the metal records?
[00:07:34] But, before we get to all that, Eric as our guest, what are you been listening to lately?
[00:07:40] So I don't know what genres you guys listen to.
[00:07:43] And actually I think it's cool that I'm here on a metal guy with metal head.
[00:07:46] Yeah, you're an old school metal head, right?
[00:07:48] I like everything.
[00:07:48] I'm actually super diverse but metal is like what I like.
[00:07:52] And actually I don't share what I like often because it's like mine and it's personal.
[00:07:56] And I also don't want to be judged and I think what I like is a little freaking crazy sometimes
[00:07:59] and ridiculous.
[00:08:00] The biggest band I'm listening to right now, have you ever heard of Death Heaven?
[00:08:03] Death Heaven?
[00:08:04] I love Death Heaven and I've seen them like five times in the last four years, five years.
[00:08:09] I like a band called...
[00:08:10] Actually this one you probably know, you don't have sleep token?
[00:08:14] Of sheen then I've seen the name.
[00:08:15] Yes, so actually the most streamed metal band currently out there right now.
[00:08:20] I think they had like 380 million streams last year with their new album.
[00:08:24] They released an album called Like Taking Back to Eating or something like that.
[00:08:27] I'll tell you right now, excellent.
[00:08:28] A UK band?
[00:08:30] I like a band.
[00:08:31] I see I feel like I'm gonna just say things that no one else knows so I'm like a little embarrassed by that.
[00:08:35] That's right because these things are going to be a little go on the playlist.
[00:08:38] So there's a band called Black Braid.
[00:08:40] They're from the Adirondacks.
[00:08:41] They're like a Native American metal band and super cool probably one of the best black metal bands
[00:08:46] are best black metal albums released last year.
[00:08:50] It was called Black Braid 2.
[00:08:52] I like them.
[00:08:54] I like...
[00:08:55] You know what else I want to do?
[00:08:56] Okay, I'm gonna go a little more mainstream.
[00:08:57] Like Boy With Youk.
[00:08:58] Like Boy With Youk.
[00:09:00] Nah, never heard of it.
[00:09:01] Guys, I swear to God, I'm even using...
[00:09:04] That's a current band.
[00:09:06] There's like, it's a guy.
[00:09:08] It's a kid, I guess a boy in the Asiucku Lally.
[00:09:11] It's awesome, it's fantastic.
[00:09:13] There's a song called Rockstar.
[00:09:14] Epic.
[00:09:16] Nice.
[00:09:16] That's up my alley.
[00:09:17] Jimbo has a ukulele.
[00:09:19] There you go.
[00:09:19] Sometimes I pull it out and you can stop me.
[00:09:21] It runs away.
[00:09:22] Look what I mean.
[00:09:22] You can block...
[00:09:23] You can take me off the podcast but you can't stop me.
[00:09:26] Brian, we're gonna need an isolated clip of sometimes I pull it out.
[00:09:28] You can't stop me.
[00:09:32] Already marked.
[00:09:34] I'm actually...
[00:09:34] I can't believe that no one knows anything I'm listening to right now.
[00:09:36] That's okay.
[00:09:38] I feel sick at this.
[00:09:39] I like the more stuff.
[00:09:40] It's like a little more off the radar because we have a tendency to go very pop
[00:09:45] centric here.
[00:09:46] And then we go to just specific things that
[00:09:49] we feel strongly about.
[00:09:51] So you feel strongly about this thing now they're on the radar.
[00:09:55] This is why I don't share it because I know it's mine.
[00:10:00] And that's how I feel.
[00:10:01] Exactly why we have it on the show right now.
[00:10:04] Jimbo, what do you been listening to?
[00:10:07] Punch Brothers.
[00:10:08] You guys know Punch Brothers.
[00:10:09] Brian, you'd like it.
[00:10:10] It's like...
[00:10:12] It's like...
[00:10:14] It's in its design musically, instrumentally it should be probably bluegrass but it is
[00:10:22] and it's delivery.
[00:10:23] It is not.
[00:10:25] The instruments are very bluegrass and
[00:10:27] it's just crazy pool.
[00:10:30] The music itself is not bluegrass.
[00:10:32] It's very...
[00:10:33] I mean some of it is.
[00:10:34] But they stray very far from bluegrass as a style.
[00:10:39] But the instrumentation is actually all what you would think of as
[00:10:43] as bluegrass instruments.
[00:10:44] It's really neat.
[00:10:45] One song of particular is called Julep
[00:10:48] which is if you look up on Spotify and just go to there,
[00:10:51] this is Punch Brothers is the first track.
[00:10:53] And it's...
[00:10:55] Not I wouldn't...
[00:10:56] When I listen to it I don't think bluegrass at all.
[00:10:58] But then you're like wait a minute.
[00:11:00] I don't know what other category to put this into but it's not really...
[00:11:04] You know...
[00:11:05] You'll see.
[00:11:06] Check it out.
[00:11:07] I will see.
[00:11:08] How about Punch Brothers?
[00:11:10] The Punch Brothers.
[00:11:11] Brian, just punch Brothers.
[00:11:12] I'll just punch Brothers.
[00:11:14] Sorry.
[00:11:17] The Brian, what have you been listening to?
[00:11:23] So I will...
[00:11:24] I've been on a...
[00:11:26] This works out because this band is also notoriously linked to the word The
[00:11:30] but isn't actually in the title of it which is Pixies
[00:11:34] and Frank Black have been doing kind of my annual or biannual.
[00:11:38] I don't know.
[00:11:39] I feel like it happens a few times a year
[00:11:41] or I just listened to nothing but...
[00:11:43] Going through a phase?
[00:11:45] Charles Thompson has done.
[00:11:48] And then I got a Matt Cameron kick so I've been doing Pearl Jam,
[00:11:52] like SoundGarden, putting a playlist together of what I like from Matt Cameron
[00:11:59] and his drumming on those.
[00:12:02] So...
[00:12:03] Yes.
[00:12:04] That...
[00:12:05] Do you...
[00:12:06] Any particular Pixies Brian that you're getting down and why?
[00:12:10] I mean, Charles Thompson obviously you're probably getting up teenager of the year
[00:12:14] because he's cowking you not.
[00:12:15] I haven't gotten there yet but I will.
[00:12:18] I did the first one, the self title one.
[00:12:21] The orange one?
[00:12:22] Yeah.
[00:12:22] Yeah.
[00:12:23] With Los Angeles.
[00:12:24] Which may be my favorite song.
[00:12:26] Yeah, Ramona is good too and the other one about Perry the Wind.
[00:12:31] That's a great song.
[00:12:33] I actually just did do little though so...
[00:12:35] Nice do little's great.
[00:12:40] Working on it, there's a bit.
[00:12:46] But...
[00:12:46] Well by the way, what are you doing?
[00:12:47] Oh thanks, dude, how nice of you.
[00:12:49] Are you looking at the music?
[00:12:50] I mean you got a podcast you might as well.
[00:12:52] I'll talk about it.
[00:12:54] Have found this this Prague metal band from Texas called Polypia
[00:13:00] that I've been listening to.
[00:13:01] So, guitar.
[00:13:02] That's the band that you showed me.
[00:13:03] Yeah, I put some of it up.
[00:13:05] Yeah, listen to that man.
[00:13:06] It's pretty cool.
[00:13:07] It's pretty cool.
[00:13:07] And then some other Prague bands that came up on a playlist,
[00:13:12] this band, Chann C-H-O-N, which I used to listen to back in the day
[00:13:17] which I really dig and this band called Consider the Source.
[00:13:20] Oh yeah, Consider the Source is playing here at Barthage.
[00:13:22] They played here, yeah.
[00:13:23] I saw them at the Lost Dog back when I used to work there back when it was open.
[00:13:28] Nice.
[00:13:29] And they're really good.
[00:13:30] They played at, I think it was still the doc.
[00:13:33] Maybe it was when it first had deep dive but they just played here
[00:13:37] like within the last year.
[00:13:39] Yeah, they're good man.
[00:13:40] They're really good.
[00:13:41] Yeah.
[00:13:41] The guy plays a fretless guitar with that.
[00:13:45] Here's a double neck right?
[00:13:46] And one fretless.
[00:13:47] Yeah, but it's got a mini pickup on it so he's like playing these trombone solos.
[00:13:55] You really see, you feel like you were hearing a trombone but it's...
[00:13:58] And he...
[00:13:59] I love to see that guy Gabriel built that device.
[00:14:02] Yeah, he did.
[00:14:03] And he was...
[00:14:04] First time I saw him playing it, I don't think he was 21.
[00:14:07] I think he was like 20 years old when I first saw him tour.
[00:14:10] He's very young.
[00:14:11] So, he was very young and this is about 10 years ago.
[00:14:15] He's 15 years ago.
[00:14:16] He's still young.
[00:14:17] We're all young.
[00:14:18] Our local favorites are your beta.
[00:14:19] We're friends with them and they do a lot of shows together.
[00:14:24] Yeah, they're amazing.
[00:14:26] It's your Mel.
[00:14:26] I know I just saw him play.
[00:14:28] I just can't really remember it, I was drunk.
[00:14:33] So put this here, huh?
[00:14:36] Yeah, I'm surprised by that.
[00:14:37] Yeah, they're good, right?
[00:14:38] You listen...
[00:14:39] A little bit because it's mostly instrumental, right?
[00:14:41] Yeah, it's all instrumental.
[00:14:43] They just put a record out with there was like a guest vocalist.
[00:14:46] Like they did a track with Chino Murano.
[00:14:48] I was gonna say Chino Murano, that's one I know from...
[00:14:50] Yeah, I know that one but I've heard him a few times.
[00:14:51] The guitarist were ridiculous.
[00:14:53] Yeah, there's two guitarists and they're both...
[00:14:55] Who's the young boy with the neck tattoo?
[00:14:58] His name is Tim Henson.
[00:14:59] Yeah, he looks like he's about 12 years old.
[00:15:01] Yeah.
[00:15:02] And he's shreds.
[00:15:03] Yeah, yeah.
[00:15:04] He's on a different level.
[00:15:05] Like it's his...
[00:15:06] Are they in Chino?
[00:15:06] Play with them?
[00:15:07] Sing with them?
[00:15:08] Yeah, so they just did a record now because they don't have vocals.
[00:15:11] They don't have a vocalist in their band.
[00:15:13] So they just did a record where they had guest vocalists on his track.
[00:15:18] That's what I got to say.
[00:15:18] You know, I'm a fan of that guy.
[00:15:20] Yeah?
[00:15:20] I'm trying to look at what the songs are Chino Murano.
[00:15:23] Well, we'll look that up while we're on a break and we will say it when we get back.
[00:15:27] We'll be right back and then we'll dig it into Rod Lighting and Masterpuppets.
[00:15:54] And we're back.
[00:15:55] So we're talking about Rod Lighting and Masterpuppets tonight.
[00:16:04] And we're just going to kind of see where the conversation goes.
[00:16:07] But I got a couple things that I want to say right off the rip.
[00:16:09] One, when we were conceiving of the show music mostly,
[00:16:14] we did this album versus album episode like as a practice thing.
[00:16:20] So that was like four years ago.
[00:16:23] But if Jimbo Brian or I say, oh, well last time I said this,
[00:16:26] that's what we're talking about.
[00:16:28] So also, I got some rules tonight guys.
[00:16:32] This is what I want to get into.
[00:16:34] I want to say the point is to kind of debate the songs themselves and not talk about
[00:16:38] the differences in the recording quality because last time we got really into like that.
[00:16:45] I'd like to shy away from that because we know that Masterpuppets,
[00:16:52] they spend a lot more money on it.
[00:16:53] But I think they're interesting to compare because they both
[00:16:56] ate tracks. They both have one instrumental track.
[00:16:58] They both have one slow song and there's a lot of similarities between them.
[00:17:04] I think a big difference.
[00:17:05] I guess we can start with this is that Masterpuppets is really,
[00:17:10] really tight. It doesn't feel loose.
[00:17:13] It feels like they were out to prove that they could be like this.
[00:17:19] Like machine comprised of these four individuals when they recorded that record.
[00:17:25] I'm just going to open the discussion there.
[00:17:26] I already disagree.
[00:17:28] Yeah, let's hear it.
[00:17:29] Oh wait, so wait.
[00:17:30] You listen to the way ride the lighting starts, right?
[00:17:33] It is like, it's balls, man.
[00:17:35] It is fucking balls.
[00:17:36] Every song intro is balls.
[00:17:39] It's like intense, it's live, it's action, it's go.
[00:17:44] The way ride the lighting starts, even that song, it's so awesome, man.
[00:17:49] They have the same thing on Masterpuppets on any of their songs.
[00:17:52] Yeah, I think we're saying the same thing two different ways.
[00:17:56] I feel like when they made that day,
[00:18:03] playing the studio, it feels a little looser.
[00:18:07] Like Masterpuppets feels really, really,
[00:18:10] overdone.
[00:18:11] Like they just did it over and over and over and over.
[00:18:14] Like it just doesn't sound as
[00:18:18] I guess organic for lack of a better word.
[00:18:23] I would say here's what I would say.
[00:18:25] Biggest difference I hear.
[00:18:26] Obviously we're not supposed to talk about production.
[00:18:29] But part of what you're hearing in how tight it is on Masterpuppets as opposed to ride the
[00:18:37] lightning has to do with production.
[00:18:41] The music is tighter.
[00:18:43] Well, we don't know what kind of editing happened in there to make everything
[00:18:46] like picture perfect because of the budget they had.
[00:18:50] Number two, I will say that getting away from production,
[00:18:54] getting away from what was tight and wasn't tight is that the biggest difference for me
[00:19:00] is the black Sabbath influence, the Aussie influence that's on ride the lightning
[00:19:05] that is not on Masterpuppets.
[00:19:07] It's very, very clear, especially in the song ride the lightning.
[00:19:10] It's a straight up, they learned from the school of black Sabbath and Aussie
[00:19:15] and it's very clear to me that that's where they were coming from
[00:19:20] in a lot of it because even when you get into that solo section, it's own,
[00:19:26] it's a very black Sabbath thing to just have a section that isn't repeated.
[00:19:30] It's not, it has nothing to do with any of the vocal parts.
[00:19:34] It's just the solo section and then it became a metallic thing.
[00:19:37] But as they continued on, it sounded less and less like black Sabbath and more like their
[00:19:44] own thing and you hear a lot of it on ride the lightning and very little of it on Masterpuppets.
[00:19:51] The black Sabbath and the lightning.
[00:19:53] I hear it's somebody who's got something to prove, there's an aggression and there's an anger
[00:19:58] and that's why I really like, and that's why I think I always go there because there is like,
[00:20:03] like I said, there's balls and I get a little bit of an uterine when it comes to the master of
[00:20:08] the puppets. I think it's a little bit more muted. I don't think it's as angry.
[00:20:10] A mild neutering.
[00:20:13] It's just a mild neutering.
[00:20:16] I think everyone's right, it's just you like things for different reasons.
[00:20:19] I won't say yeah.
[00:20:20] I do. I agree with you. I hear a lot more of the entire kind of like
[00:20:25] new wave of British metal in ride the lightning. There's more of, there's some like Iron Maiden
[00:20:31] asked like vocal like, you know, wow. And like Masterpuppets is very just like
[00:20:38] what I guess would become like what James Hatfield was known for is like this like barking kind of like
[00:20:43] yeah there he's up in a range where he doesn't have any control. He's on on ride the lightning when
[00:20:49] he's saying those verses or goes into the core little chorus part that just follows that guitar line
[00:20:55] he has a half step sharp and it's like they didn't go back and fix that they just went with it.
[00:21:01] You know what I mean if you listen to it he's like he's not just a little sharp. He's a half step
[00:21:05] sharp so that's uh for me that was like oh sounds like the time with you know less production money
[00:21:14] but you know they didn't go back and fix it. They didn't even address it. They just said well
[00:21:18] this is the new thing that we do. It doesn't have to be we don't have to sing on pitch. By the time
[00:21:23] you got to the next one there's very little of that and it's less of him trying to go up into
[00:21:27] that higher range and more of him uh with the bark the bark vocal that you're talking about but
[00:21:32] he doesn't go sharp. Right I think it's almost like the the newtory in that Eric is talking about
[00:21:39] is like when they went into du-master puppets they were kind of like well this time we're going to do
[00:21:43] it right we're gonna take our time we're gonna you know we're gonna fix everything we're gonna fix
[00:21:47] all those moments it's like this like intentional fixing something that you know I don't think
[00:21:53] was broken. It took a lot of the edge off um like some of those like the riffs and ride the lighting
[00:21:59] like some of that shit it's just so drive it just get to um I mean master puppets definitely
[00:22:08] more yeah subdued. You know I will say between the two albums my favorite song is definitely
[00:22:15] Rune the belltolls um I just I just love it just the intro is just so badass and as
[00:22:23] and you know all that leading up to the actual vocals um it's just it's tough it's freaking tough
[00:22:30] and awesome and you just it didn't need all that production money it's badass so going into this
[00:22:37] before even sat down listen the records again that was in my head already I was thinking oh okay
[00:22:43] we're going back and I'm saying my head already all day of work all day of work yesterday just that
[00:22:49] panic and I'm like you know I mean probably not the best thing for 52-year-old man in a very
[00:22:57] stressful situation because I like to start the heart attack it work and be on the floor squirming but
[00:23:05] it was um that's what for me that's the that's the best moment between both records
[00:23:12] it's either here or there you know because it for me I'm analyzing this not about what my favorite
[00:23:18] thing is but what it is that we're looking at so what do I appreciate about it I like that song
[00:23:25] I don't know why it's awesome I appreciate um the tightness of one record and the rawness of
[00:23:31] the other I appreciate that the sort of Aussie and Black Sabbath vibe of the first record
[00:23:40] and then the other one I appreciate the way Metallica was growing into what they became you know
[00:23:45] that's really that's where that started to happen you heard a little bit on ride the lightning but
[00:23:50] here other empty hear their influences you don't hear their real voice until the next one
[00:23:54] I know you're gonna disagree just because you let the other record better Eric
[00:23:58] well I can ask a question so what when I was listening to it today I was listening both
[00:24:02] them today just to kind of get my the re-up myself and all like I think of his why are there songs
[00:24:07] so long they they need like they're all six and a half minutes songs that you have to be like
[00:24:13] four minutes maybe three I know it's not a pop format because I had to fit in all the different
[00:24:18] guitar but all the guitar solos which would go through this big long enormous like all these changes
[00:24:25] and everything like they're a freaking in-bay mom steam or something you know what I mean like
[00:24:30] not quite getting the notes like in bay let's just put it that way
[00:24:34] you gotta look good deep air going outside the key a little bit but hey you know it's
[00:24:38] it's that style of metal that it was and it actually like talking about influences on what we
[00:24:44] know today these guys at the at the time were the biggest you know of course there was slayer
[00:24:50] and there was other stuff but um so these guys were 84 were Toma 84 and four yeah 86 master puppets
[00:24:59] so this new like American thrash metal thing was brand new yeah yeah yeah yeah and it's tough to
[00:25:07] it is tough to listen to it today and think about it today without thinking of everything that has
[00:25:12] come after it so I always whenever I go down like a new way like an Iron Maiden Judas
[00:25:20] priest rabbit hole I do you remember like in the 80s Eric you're probably old enough
[00:25:28] how like there's like the satanic panic and like parents just hated this stuff
[00:25:32] yeah look at it now and it's like it's so corny I mean it's like yeah the horror flick corny
[00:25:37] yeah it's turning out the Satanist you know I joke but like the thing is like it's tough to
[00:25:46] it's tough to hear this today in the context of when it was correct yeah totally um I was
[00:25:52] sit as I was listening to it all I could think about is I'm not listening I'm not enjoying this
[00:25:56] because of the musicianship I'm not enjoying it because the songwriting I'm enjoying it for purely
[00:26:02] nostalgic reasons at this point I'm remembering who I was and what I was going through when I first heard
[00:26:08] this and all the people that were so into it and that were my good friends and so when we would
[00:26:14] you know driving somewhere was always something like this we'd be listening to you know
[00:26:18] so it wasn't mean except for you know certain riffs like that that still gets me but um
[00:26:25] you know um for me it's like pure nostalgic reasons that I was really enjoying it like I can't
[00:26:32] be like yeah that was really awesome it was awesome but it was awesome for the time it doesn't
[00:26:38] it's never gonna blow my hair back again I'm never gonna say holy shit no one has ever done better
[00:26:42] than that it's not you know what I mean yeah so I know and had ever done better than that some of
[00:26:47] the riffs though so like listen you know what I actually watched old school last night and there's
[00:26:52] the scene in old school where they're playing master of puppets and then they start kidnapping
[00:26:56] everyone yeah in your case like from the man awesome and it works so well you know they're just
[00:27:02] just driving through like building the tackle the guy into the fountain yeah and they're playing
[00:27:07] master of puppets you're like yes this works you gotta like peel out the bed like dick kicks in yeah
[00:27:13] well I mean all right so let's talk about master of puppets like is that the single greatest
[00:27:22] in every you know in is broad a term as greatest is is that the greatest riff in heavy metal
[00:27:28] no okay what do you think the greatest one is I can't pull one out of my head but what do
[00:27:33] no okay wait actually is it iron man no okay is there a kind of what it's so actually you know
[00:27:44] so wait by the way I think okay I'm like a cruise vibe for this but slash in sweet childhood mine
[00:27:51] I think it's the best the opening little yeah it's the best I see him playing that just quality do
[00:27:59] you know the story of that riff slash was warming up he was just playing that he was warming
[00:28:03] up for practice and Izzy Stratton was like wait wait play like was like play that again okay play
[00:28:07] that again okay give me 20 minutes and then he came back with like the song built around like
[00:28:13] this lick that slash was just and that's how you write a hit like that you're trying try and try
[00:28:21] to make a podcast and these jacket number okay so let's talk about streams all right all right
[00:28:33] what I went I found several different top five metal albums of all time I found okay Rolling Stone
[00:28:43] critics version Rolling Rolling Stone readers pull Loudwire the top tens.com an album of the year
[00:28:50] dot org which is like a user solicited one and it's interesting because uh Rolling Stone both of
[00:28:58] them and Loudwire have one and two paranoid by sabote and master public's vomit. Top tens.com has
[00:29:06] master public's number one megadeth rusting piece number two oh my god I know album of the year
[00:29:13] dot org guess what their number one metal album of all time is what it's newer it's it's from the
[00:29:22] early on to be something like quarter something please it is not corn but your clothes oh
[00:29:27] little biscuit no no no no good slip not to get guess Brian you gotta guess you're gonna even know
[00:29:34] you're gonna kick yourself when you're like god's man there's something like it's not god's
[00:29:37] smack god's smack get out of here god it's death tones they would be death tolls happy death
[00:29:45] tolls that would be great it's not too old it is toxicity by system moving down you know
[00:29:51] I'm a record it's a very good record but I wouldn't say best of all time they have and they have
[00:29:58] puppets at four sabbath paranoid at five band name death is a big band here in the metal yeah
[00:30:10] none of them have ride the lightning in the top five uh actually the top tens has it at number four
[00:30:15] it's in the top ten on all of them dude I'll tell you right now I don't think freaking those are
[00:30:20] they're metal because best albums I think but that's the album blackout
[00:30:24] oh that's the next thing you can make an argument for that yes I have some stream count I
[00:30:30] went and got some stream counts all right master puppets 1.3 billion streams ride the lightning
[00:30:35] 1.1 billion streams black album any guesses two three billion yeah exactly cuz it well so it's
[00:30:43] enter Sam and and nothing else matters are both billion so it's one's on that too right one is
[00:30:51] on and justice for all 976 million streams that's a good one justice is probably my favorite I wouldn't
[00:30:56] but that is for nostalgic reasons like me and me and my best friend high school that was like our
[00:31:01] record that we just did you have a whiter jacket on no it's never cool I didn't have like an
[00:31:07] electric blue denim jacket that's almost there close um I just wish there was like a leather
[00:31:15] jacket with like electric blue like the color of your head firm's electric glue yeah
[00:31:20] yeah yes yes some cognizant you well yeah that's about all I got
[00:31:29] I went deep into like this Spotify streams and I got so master puppets 1.3 billion streams paranoid
[00:31:37] about black Sabbath 1.8 billion streams um vulgar display of power yeah 160 so here's a problem with
[00:31:44] this I think it's it's skewed I think so too because modern people aren't fans of black Sabbath
[00:31:50] in paranoid like my modern like the people who listen to Spotify or she wants to apply aren't the
[00:31:54] people like black Sabbath created metal like period like that's it that's it that's it that's it
[00:31:59] that's it that's it that's it that's it that's it that's it that's it's like it's literally created the
[00:32:01] genre some people actually argue the Beatles did with a Helter Skelter like that song was the the
[00:32:05] Genesis of Beatles of metal which I think is interesting well born to be wild by Steffan Wolf is the
[00:32:09] first song to use the term heavy metal yeah also iron butter fly I think was I was also giving a lot
[00:32:18] of credit for that we're giving a lot of credit the supplement is given a lot of credit but I agree
[00:32:21] that as we know it I would say the big difference is Beatles Steffan Wolf and even Zeppelin was
[00:32:31] distorted guitar played at a certain beats per minute but like black Sabbath were the ones
[00:32:35] where like we are writing this to scare and piss people off yes to a we're writing this to alienate
[00:32:40] people who are not us yeah yeah you know yeah yeah um because another thing that is hard to think
[00:32:47] about now because there's so many genre music so many genres of music and every subs like
[00:32:53] you don't have to go look for a scene all the scenes are online you know they're scenes everywhere
[00:32:58] but like metal in the 70s and 80s was like outcast music you know like people are still in it bro
[00:33:06] I think wait I just just said that I'm a big metalhead in the end late and it tilled set everything
[00:33:10] I listened to and no one knows anything no and it sure I mean like it's not on the radar of
[00:33:18] the like common listener you know what I mean like it's it is its own thing it has its own lane which
[00:33:24] I love about it honestly like that's kind of like why I'm so drawn and I'm a little ashamed
[00:33:29] that I don't know I think like my metal and like hardware stuff kind of like paused somewhere like
[00:33:35] in like the late 90s but um went to I only stuck with very specific things and followed very
[00:33:41] specific things anything you have anything to do with Mike batten anything to do with uh
[00:33:47] the like I mean this band Raskaya I can't get away from oh I'm like super into those dudes now
[00:33:52] these are me yeah they're really good um and then and like you know deftones obviously
[00:33:58] that was always been really good for me and then like anybody doing like metal covers of Bjork songs
[00:34:04] I've them into that or like metal covers of um like Lecuna coil doing like that cover of
[00:34:14] enjoy the silence and stuff like that you know like it's for me it's like
[00:34:19] I pursue it for those reasons because I discover them that way I was like okay let's look
[00:34:25] for a depeche mode covers today let's see if anybody did anything cool today by the way
[00:34:30] it just makes sense do we see if somebody does that show my life
[00:34:38] this to me is to really has be feeling off to musical I don't want to just kill myself
[00:34:42] I want to demolish myself I want to replace all while I do
[00:34:45] yeah I want to feel the pain of death I really want to enjoy the silence
[00:34:53] all right um okay let's do this let's take a quick break and when we come back let's talk
[00:35:00] specifically about was we'll get into like some favorite songs and talk about the songs on the
[00:35:15] uh
[00:35:36] and we're back all right so Eric what's your favorite song on between these two records
[00:35:43] so rive lightning on rive the lightning the title track is so good man the way it ends it just opens
[00:35:48] up with such fury and I love it like right away like the big tom drones like I'm like guitarist
[00:35:55] artists are just like yeah yeah it's good on nothing like by way nothing better than the mouth guitar
[00:36:00] it's gonna look tonight well play a main mouth guitar me mouth guitar but it is so intense
[00:36:07] and it's just actually I'm gonna say something really ignite was this their first CD
[00:36:12] or the first album no kill them all their first record oh kill them all
[00:36:17] so rive the lightning was their second record they're last record for an independent label
[00:36:22] and around the time of rive the lightning was when jimmo you'll love this
[00:36:29] when they started opening all their shows with the ecstasy of gold by your boy any Omar cone
[00:36:34] and they which they still do to this day
[00:36:36] when i'm allowed when i'm allowed by my golf partners uh to play that song that's usually what I
[00:36:44] play when i tee off on the first scene will you know this first hand i like to play ecstasy of gold
[00:36:49] for the first drive off the tee you do you you know if you heard it okay okay okay
[00:36:55] okay it's from uh is the movie called the ecstasy of gold it was the good the bad the ugly good the bad
[00:37:01] the ugly yeah oh i know this is not the it's not the one you're thinking it's the other one no i know
[00:37:07] it's the one when they're at the end when they when they're all looking at each other in the cemetery
[00:37:11] and it's literally their eyes starting around for like a half an hour they use it in a car commercial
[00:37:18] it's a Ford or shemi commercial yeah they they use it and i just heard it they play this all during
[00:37:24] football games oh yeah it's funny yes you saw i listened to s&m today and and that's why i heard
[00:37:29] they opened it with it they opened yes and then with them they go into no it's clover it's so good
[00:37:34] that's not right by the way so it's great yeah it's excellent that's why let's do one more
[00:37:38] way here actually was that tonight nice yeah um i do like right like Brian what's your favorite one
[00:37:46] it's hard to say man um i like some of like the maybe lesser well lesser streamed ones i don't know
[00:37:53] if they're less renowned um for plenty of people of them um but like for context escape is the least
[00:37:59] streamed one that 31 million and that might be my favorite that i think that's my favorite track um
[00:38:04] that's what you said last time too and i found i found a reddit post about it uh about that song
[00:38:10] because that song is famous because they wrote it to be a single and they hate it and they've only
[00:38:14] played it one time well then i literally so i'm looking at my notes from when we did this before
[00:38:19] and i put in parentheses fuck you james had filled i like melodic riff actions so this guy on reddit
[00:38:26] said uh and jimbo correct me if this is wrong if it's wrong it's because this guy on reddit that i
[00:38:32] don't know is wrong but he said uh it was like to the effect of like yeah you're right a chorus
[00:38:36] in a major instead of a minor chord and everybody loses their god damn mind
[00:38:41] it um it is yeah i believe it is in a major key yeah um which is rare for them yes most most
[00:38:49] everything is um sort of power chords with a suggestion of minor um through vocal melody and also
[00:38:57] guitar riffs or other guitar soloing over it and also but they're just power chords they don't
[00:39:03] they don't most of it doesn't have a major or minor third to it i mean sometimes it does but
[00:39:10] it's it's kind of undefined and this was another thing that was that was sort of i mean it was very
[00:39:15] black Sabbath but it's everything they defined their sound going forward and also to find metal
[00:39:20] going forward is uh in a lot of cases you didn't really have defined uh major and minor thirds
[00:39:30] and then when you did it added to the power of it it felt so much stronger
[00:39:37] and if you like going forward listening to like james addiction you know there's a lot of
[00:39:42] major thirds in vocals over minor thirds in like guitar and in chords and uh quarterly
[00:39:49] and this is when it became kind of their sound you know he would just he would just sing a major
[00:39:54] third over a minor third and it maybe he was like uh okay well it hurts my ears but it's become
[00:40:00] that's why it sounds peri to me you know is that like the dissonant is it dissonant?
[00:40:06] it is dissonant but it's became dissonant in a way that i mean the blues had always explored this
[00:40:12] like if you listen like delta blues there are moments when you just never actually hit the major
[00:40:19] third without sliding up from the minor third uh you know that's there's a lot of that and
[00:40:25] that's kind of where that came from and and uh when you hear when you hear um uh
[00:40:32] uh peri feral in in like james addiction kind of doing that i think that's why our ears allow it
[00:40:39] because we had heard that before okay and it wasn't it didn't offend the ear for that reason
[00:40:46] it was like it said itself apart for that reason it was it was different like our ears could handle it
[00:40:52] and i say well yeah what is that you know i call it on every time i hear it i'm like oh no you're
[00:40:59] doing that uh find a better way sons are bitches oh and
[00:41:06] it's just like go ahead uh well i reached i made it i made it make it ever earlier
[00:41:11] second favorite song maybe okay if you're just tuning in if you just if you're just tuning in
[00:41:16] the end of the set of sevens it's very very unlikely unless you went and took a crap earlier
[00:41:21] you'd want to do some dishes or you know i they have to visit with a previous engagement do you
[00:41:28] know how podcast work i do i mean you could pause it but like i think it's a guy that you
[00:41:34] let them try to rewind it when you came back you know i do that with harry potter all the time i've
[00:41:39] seen every movie a million times but i'll put it on and just go do stuff and then come back and i
[00:41:44] yeah there's her mind again you know i've seen every scene it's a first time succession
[00:41:50] and he's sort of context so yeah whenever double doors shut up snake anyways um uh mine is for
[00:41:58] whom the bell tolls yeah it was kickass there's a like the
[00:42:03] no it just has this very march yeah um and i i do think just to go off on a tangent real quick
[00:42:11] i feel like james have field uh in spirit and like vocally and lyrically is that his best when
[00:42:18] he's like railing against war or religion like when he's barking out opposed to Christianity or war
[00:42:27] i feel like that's when especially early mitaraka that's when they're really at their best like the
[00:42:33] just like the fury is contagious it's contagious it's also convincing uh you don't it's not
[00:42:44] phoned in at all uh when you hear him on this song you you really believe he at
[00:42:49] at least at the time really meant that it probably still feels a saying you know so and so jimbo
[00:42:54] you're 52 yeah we talk about how you're old all the time and thank you um air kaihou re now 41
[00:43:03] okay so high and i'm 45 and brine's like 28 get off my lawn and there's but um so this is
[00:43:11] so this is your at least in your 30s right i'll be for i'll be 40 this year oh my god thank you
[00:43:17] thank you for being 40 thanks very very much it's better your knees will hate you but um they already do
[00:43:24] so but in so in the early eighties and jimbo you're probably a little younger you're younger than
[00:43:30] like the guys in the bands but you may know like by year two not much i just feel like we
[00:43:37] i'm sorry eighties like we're not that far removed from Vietnam and like a lot of these guys would
[00:43:43] have had older brothers or uncles or you know fathers that they they lost in the war or came back
[00:43:49] just like all messed up from it and i feel like there was a lot of rage about war
[00:43:59] in that generation that uh i'm a little too young for and then you know we've just been at war
[00:44:06] for like the last 30 years so well it's interesting that rage doesn't exist now you know yeah
[00:44:12] it's like what it was not too yep yep think about a little bit we've got to drop it in that so
[00:44:17] well we do and we also don't have a draft i think that's the big deal right like you're not
[00:44:20] to grab people throw them in it's also just this ongoing thing that just there's no start or stop
[00:44:26] to it it's not the same thing here you know well yeah there's no life it wasn't as like specifically
[00:44:34] well i mean like what will is getting to add i think is that there's a lot of these kids from the eighties
[00:44:39] and and like i consider myself a child the eights as born in 1971 but my high school years were in
[00:44:46] eighties now probably those guys in a talika were graduating high school in nineteen eighties
[00:44:51] you're like nineteen eight three years old are you yeah well i was a tenish yeah i think they're like
[00:44:55] ten years early sixties yeah late fifties really sixties yeah okay so the point is that there
[00:45:01] there were a lot of probably a lot of dads like a lot of where this anger came from and hatred
[00:45:07] and leave you know i've been listening a lot of pink Floyd i could do that pink Floyd thing recently
[00:45:12] yeah and a lot of that's the same thing it's like you saw you know your dad come home for more
[00:45:17] and he wasn't the same dad you remembered and um yeah or an older brother or something like
[00:45:24] that and um so a lot of you you know the distance and the emptiness and the and the concern
[00:45:30] and anxiety um that went into the music that helped to fuel the passion of the music
[00:45:36] came from that that experience that like your your your your your patriar or your
[00:45:43] your you know your sort of male guidance was broken and you and you weren't able to deal with it
[00:45:50] so you had to do something with it well i could pick up a guitar and write songs
[00:45:54] so i might as well do that you know what i mean so i mean the it was probably very cathartic for
[00:46:00] for you know people to to get that out and probably even better when you started filling
[00:46:06] stadiums and opening with ecstasy of gold doesn't hurt doesn't hurt doesn't hurt yeah
[00:46:15] yeah so when he's talking when he's when he's railing out against war i really i buy it um also
[00:46:21] James Hatfield grew up uh his parents were Christian scientists he lost a sibling
[00:46:27] to not being healed by a rare medical care um so that's where all of the anti-religion
[00:46:35] stuff kind of comes from which is why i mean it's just it's you feel it like it's visceral like
[00:46:41] you it doesn't it is very authentic you know i just can't put the prayer didn't work i know
[00:46:49] we're working on the prayer technology only the prayer would work the doctors in the hospital
[00:46:55] it doesn't work you know what i'm doing but um they just didn't hold their hands hot enough
[00:46:59] over their body but i think so i have two favorites i have one for me triggered
[00:47:09] um and i love them for the same reason i would just love the riffs i love disposable heroes off of
[00:47:15] puppets and i love trapped under ice all right lightning i just like like the riffs are just like
[00:47:21] blisteringly fast and it just really gets me going um and i think trapped under ice probably has
[00:47:29] the most like waily iron made-and-e vocals and i love them like the the present like it just
[00:47:39] it gets me every time it makes all the hairs on my arms stand up every time still to this day
[00:47:48] i was gonna talk smack but i can't if that's the reaction you get i can't i can't judge i can't
[00:47:54] if music is hit you that hard i can't say anything bad apparently that's like a real condition and
[00:47:59] not everybody gets it i didn't know it's like one of the so like i'm colorblind and like
[00:48:05] i don't see the difference between red and green i feel like a lot of people don't have dude how do you
[00:48:09] drive yeah i totally shit we did it fun fact we did an episode about the living color record and we
[00:48:15] titled it what do you do at traffic lights but um because we talked about my colorblindness
[00:48:21] wait what i hold on i know you've already taught us what do you do at traffic lights
[00:48:25] well you stop what you know what you know which one is lit up because you know what order they're in
[00:48:29] you know what order they're in i don't know the green top plus the green lights look like white
[00:48:35] red on top yeah actually that's the green to the bottom at traffic lights actually have more
[00:48:40] trouble between the red and the yellow they're more similar to me because the green is like a white
[00:48:45] you know it's very obviously like yeah i don't know what the hell what i got to talk to you about
[00:48:51] this so we got to tell apparently not everybody has this thing where like music can make all the
[00:48:58] hairs on your body stand on end and i feel sorry for those people because it feels amazing
[00:49:02] have you ever had sex with us actually i have no this is do that yeah i'm
[00:49:07] yes actually show mom recently did you do that did you do that
[00:49:14] we don't have any other hair stand up there here we're standing um
[00:49:21] if anybody having any songs i want to talk about let's change the topic
[00:49:25] yeah i like damage and chord really i love the uh man damage and that's my favorite off like
[00:49:30] puppets yeah i just that that that song is you want to talk about like a great closer
[00:49:35] just a river man like well again for the sake of nostalgia i like the um ride the lightning opens
[00:49:40] with like this want to be classical acoustic piece that's like yeah very simple and easy to play
[00:49:45] is it battery no batteries first song of pub is in batteries hot oh battery is about
[00:49:52] how the crowd is a battery that fuels that's cool i didn't know that yep um so
[00:50:00] so Cliff Burton okay that's actually a little more yeah wrote the uh so ride the lightning was
[00:50:06] the first song where he contributed songwriting uh coming from his music theory background
[00:50:13] and he wrote that intro to fight fire with fire which is the first song on ride the lightning
[00:50:17] so he wrote the the acoustic part at the beginning of that and and he was only on ride the lightning
[00:50:22] he was also on jillamall am master pogo it's he was on master pogo it's obviously
[00:50:27] in a boss accident boss accident touring for master puppets uh master puppets they
[00:50:34] they chose not to put a single out instead spending a lot of time touring and then they uh open
[00:50:42] for azi the summer of 1986 and that was the last time they ever opened for anybody good for them
[00:50:48] that's cool that doesn't surprise me i mean there was like i remember when they hit they hit so
[00:50:53] hard and it was just like whoa but child was everywhere they just came out of nowhere i remember
[00:50:58] vividly standing in line for the lockness monster at bush gardens in Williamsburg, Virginia as a
[00:51:03] child the first time i saw the master puppets logo on like a t-shirt that a guy was wearing and
[00:51:08] just being like what is that i don't know what that is but i am very interested yeah and i would have
[00:51:14] been like eight you know uh i asked you a question oh we're we're gonna go first uh i just want to
[00:51:22] refresh my memory really quick because we were talking about who was on records was ride the lightning
[00:51:28] mustain no kill them all and stand okay actually fired him before they really recorded but he
[00:51:35] wrote he has writing credits on kill them all okay dude how do you know i can't believe you know that
[00:51:44] it's not i mean hey this is the second rate podcast he does a little bit of research
[00:51:48] uh and uh the air giver said you wanted to say something i can.
[00:51:52] their mistain has some writing credits on ride the lightning as well interesting
[00:51:57] yeah got it so so you were talking about favorite songs which which one has the best instrumental song
[00:52:03] so that's a great question and i've actually been going back and forth on this
[00:52:09] for like a week um but i think i want to say that Orion Alphamastra Poets is a better instrumental track
[00:52:19] because of the bass solo in the middle of okay you know at least you have a reason i actually don't have
[00:52:25] re-alio bell like call it too little yeah i like call it too little it's the well they're great i mean
[00:52:29] the thing is it's like these two records are like your favorite pizza and your second favorite
[00:52:34] pizza or your favorite ice cream flavor and your second flavor but i favorite ice cream flavor i mean
[00:52:40] it's not like well i like this one and the other one sucks
[00:52:42] fuck you chocolate
[00:52:48] i do like Orion i think it's uh myself i think it's
[00:52:54] a little more involved i like the way it starts
[00:53:00] i just i don't know if i had to pick one but i've been agon i've literally been agonizing
[00:53:05] over that that question for like a week i don't know if there's any sleep over at will
[00:53:10] they're all good tracks both records are good i mean there's really no point to this podcast honestly
[00:53:17] it's all good music we're not gonna bash any of it we're just gonna have a talk about our personal
[00:53:21] favors and encourage people to listen to more music and that's the okay there is a point
[00:53:25] there's a buddy do you have one you prefer what's your favorite song on puppets i like i love
[00:53:30] that nobody has said master i mean i do like it only because of what it represents to me
[00:53:38] uh leopard Messiah is kind of good track that's a great track co-written by Kirk hamlet
[00:53:44] okay i was my my buddy it was it was my buddy Eric's favorite track he used to talk about it all the time
[00:53:50] and i'm like well you know that's a uh uh uh uh very um big lyric in a david but we saw him
[00:53:58] and he's like okay let's listen to it and then he became this huge david but he's gonna start us
[00:54:02] yeah what's the switch lyric he started us to go look at that look but so much more
[00:54:07] side yeah so um of course i actually i misspoke that the song creeping death is about the book of
[00:54:13] Exodus but leopard Messiah is about like televangelis which another thing from the 80s that just
[00:54:17] isn't as big a deal now as it as it like in the 80s like the televangelism
[00:54:22] oh man i don't know i just i went on a rabbit hole and then i'm not saying that this stopped existing
[00:54:26] i'm just saying cult like pop culturally they're not as oh no they went underground and it's way
[00:54:31] scarier do yourself a favor and watch the uh the farting creature or pastor
[00:54:39] i can't i went on the rabbit hole yesterday it was new stop dude there's new people that guy
[00:54:43] still out there and he was still putting fart noises behind him oh my god it's hilarious
[00:54:49] it's so if you've never seen this yeah it's his tv evangelist from the 80s and 90s
[00:54:54] and he makes crazy faces and it's really excited what the jerky moves and people superimpose
[00:55:00] fart noises every time he does this and it's absolutely hilarious you will get yourself
[00:55:07] you'll piss yourself laughing i forget all my pastor gas pastor times we put that shit on and just like
[00:55:12] laugh like 80s it is for like you can't not laugh if you if you sit there and you don't think
[00:55:21] this is funny it's you don't have a pulse you'd have a soul you're just a non you're just a red flag
[00:55:27] if you don't think it's a funny that's a red flag i'm just saying that's a deal breaker ladies
[00:55:32] that's a deal breaker that's a deal breaker um okay what's a better album opener
[00:55:40] if i fight with her battery Eric dude okay um pass i don't know which one opens which one
[00:55:50] battery opens faster pub is all right and i listen to both today uh fight fire with fire
[00:55:55] open i actually think i think battery better i think battery is definitely a more complex piece of
[00:56:01] music yeah like the opening riffs and stuff like that and i think the way it opens up because
[00:56:05] again it has that balls to it i love like i just i love the it's it's like a pole is that
[00:56:10] like a pull off it's like bomb bomb bomb it's like a weird pull off it's like flamenco there's a lot of
[00:56:17] there's a lot of brrrr and then it's hard right and then it's hard and i'm like and just i
[00:56:24] i i think that battery might to me be one of the strongest album opener is like in rock and or roll
[00:56:36] and i just love i love what it's called stay you know i'm a bearer so you want to think it's the best
[00:56:39] album opener okay i'm so embarrassed but i just need to stay like teen spirit no hit maybe one more time
[00:56:44] i'm not saying uh horn the first song on the first corn city and i don't like the crazy
[00:56:50] bass drop like brrrr do you ready what do you want to do yeah i think it's the best i hate i hate it i was
[00:56:57] shamed i think it's the fucking best i know the moment that you're talking about and
[00:57:04] and it's pretty strong i'm not gonna be it's pretty strong but without guitar like that crazy like
[00:57:10] i don't even know like that all right yeah yeah what is that that is sick dude you're right that's
[00:57:16] like that's like that's the thing that gets my hair standing up that's like a hair standup
[00:57:21] thing for me yeah it is yeah i think that's the song right yep i mean uh Los Angeles
[00:57:30] by Frank black yeah it's a opening track it's all right this dog's getting really blinding now
[00:57:36] all right we're getting a little long in the tooth ourselves well let's take a quick break
[00:57:40] we'll come back we'll do a lot dear aback
[00:57:46] you
[00:58:02] welcome to the lounge ladies and gentlemen this is the part of the day where we like to uh sit back
[00:58:07] reflect on a job well done have a couple of drinks talk about this day in music history
[00:58:12] we'll talk about a billboard top 10 from back in the day uh it is January 15th and on this day in
[00:58:19] 2002 80s British pop legend Adam Antt was arrested and charged with throwing a car alternator
[00:58:26] through a window at the Prince of Wales pub in Camden, London and then threatening patrons with
[00:58:33] a starting pistol who's later five and five hundred pounds and placed under a 12 month
[00:58:38] community rehabilitation order for psychiatric care dude five hundred pounds a lot of money
[00:58:43] i'm just gonna put that out there man that's that's British money so that's about $750
[00:58:47] yeah it's a lot especially this guy was like a badass what was the these days you two
[00:58:54] drop hanging on to it you make more money that way but yeah oh too yeah if you were to trade
[00:59:00] that shit in you'd be able to pay for the day of the pain
[00:59:02] yeah I just like threatening it with the starting pay you're seeing a starting pistol
[00:59:07] it's a revolver with a giant and there's and there's nothing there's no
[00:59:12] it's there's like concrete in uh in the barrel well there's like a red little red plastic
[00:59:19] bullseye thing and down jam down in it this is like that's Adam Antt
[00:59:24] yeah what was he going to do with the other jacket with the face paint but like his last hit was
[00:59:28] like you think it was it was in the nineties he had to hit called wonderful tonight or wonderful
[00:59:34] something like that you look wonderful tonight that was a mere clap no that's no it's a really good song
[00:59:39] i was actually actually it's a really good item man fucking jam it's amazing wonderful
[00:59:46] two i think it's just go that's too later boom boom boom there's like i think it's just called
[00:59:50] wonderful okay i do not wonderful tonight by clapping not the same song no
[00:59:59] you mean at no good it was in the nineties uh and i don't even know what does that look like actually
[01:00:07] like a strange projectile i know nothing about cars so like if you said it's uh it's got like
[01:00:13] eight wires hanging off of it they get goes i think from like the uh the chambers that the
[01:00:19] spark plugs fire into the battery the battery yeah it's essentially like a lot of it
[01:00:25] somebody what would it it would be a tire iron wouldn't it i just
[01:00:29] I just had a man being like just give me a minute to get this pesky alternator out of here
[01:00:34] and i'm gonna throw it in there what the fuck is walking around with a car all
[01:00:39] to their hand now he probably had it for like those random and he's just airing it around because
[01:00:44] he's fucking right he forgot to go straight home and fix his car and like then he's at a bar
[01:00:49] i've done this a million times trust me yeah all the intentions the all the intentions of making
[01:00:55] things right but trust me here you are with a piece of equipment that you just angry about
[01:01:00] i've thrown a lot of alternators through a lot of windows so i'm not exactly but i understand
[01:01:05] probably was behind it i have every intention of putting this pissing wiser my soul into the pub and
[01:01:10] you ran out of money you could trade in an alternator for what your barch have so you threw it
[01:01:15] through a window and threatened people with them now why you can't run a star piece startled
[01:01:19] he's just like in case you want to spend he must have been like the starter at an automobile race
[01:01:28] probably now it's starting to make better the picture yeah this is a story here so actually
[01:01:33] i didn't want to talk about this but i actually got arrested in 1997 for beating someone with a
[01:01:37] break pad you know yeah wrong place one break pad to break i had a break pad and i beat the
[01:01:42] shit out of this guy with it so why did you why did you have the break pad and what did this poor
[01:01:46] fellow dude to deserve that abuse i completely made that up are they yeah you're gonna break
[01:01:54] have you ever seen a break pad wait they're very small like they are small i want you to
[01:02:00] do this piece of man with a break pad you couldn't lay in a blanket access right now
[01:02:06] I mean maybe a treasure but i'm telling a true story you don't remember to hit you my
[01:02:10] break pad you should have a baby you were at least say it was a rotor yeah right
[01:02:16] that is a sign you're really here in president of rotor all right and i think that's a dawn first
[01:02:21] of all i'd like to say jenny were 15th is like the most boring day of music is rebut
[01:02:28] yeah i was gonna hold up locations vinegar over here in 1983 minute work started a four-week run
[01:02:34] number one in the u.s. single start with down under which went on to sell over two million copies
[01:02:38] in the u.s. alone it was number one in the uk demark irland italy and switcher lent and a top 10
[01:02:44] in many other countries but that's our boy cahenn who we fucking love cahenn can i go can i tell
[01:02:50] a little story about this song and actually you'll i mean someone's gonna have to look it up in order
[01:02:54] to prove my story but um whoever it wasn't held the intellectual properties uh post death
[01:03:02] of composer for kookabaracid cinema miana but uh but uh but uh but uh but uh
[01:03:07] hey kookabaracid it's like zostrayin like folk song um sued uh minute work for that flute solo
[01:03:16] oh i have heard this maybe you've told me this but i probably did but i think it can be corroborated
[01:03:23] there's lore i'm just gonna go with it like i like that story that you told so i'll believe it
[01:03:32] that i oh okay you like kind of copied the kookabaracid um thing there so it wasn't just like a
[01:03:39] traditional or whatever like uh no because uh the um the so i don't know if the laws are the same in
[01:03:46] the nice states as they are because they pushed like the intellectual properties i think the laws
[01:03:50] in the nice days are different they're well they're now 95 years out to the death of the composer
[01:03:55] apparently you know that mickey mickey mouse is 70 years right mickey mickey mouse is be 75
[01:04:01] that's the one that's different than it's not this i was just explaining this recently um that
[01:04:06] is different the mickey mouse is an image thing there's a name for it's like uh
[01:04:11] it's a little bit no no it's not that i have the actual laws of protect the image
[01:04:17] of uh uh disney or protect the images of did of mickey mouse for disney um just expired and it was
[01:04:28] also 95 years but after the death of but that's how it goes it's not called intellectual properties
[01:04:36] is something else because like imagery something or other uh anyways so that would be but in like
[01:04:43] a melody would be intellectual properties i believe well you can trade mark them or you copy
[01:04:50] or you can copy random melody correct so it it used to be 75 years and then they just kept
[01:04:56] i believe disney had something to do with this um like just keep pushing it and pushing it and
[01:05:00] pushing it and extending it until it was 95 years and now we're like all right we can't push this
[01:05:05] any further so the image of mickey mouse just became legal for anybody to abuse in any way that you
[01:05:11] want and without any but specifically the way i understand it specifically the mickey mouse in
[01:05:18] the steamboat willie cartoon it's not the old school making that's not the mickey mouse does not
[01:05:24] like the way that we know now to be a sort of funerary figure to our so mickey mouse porn and it was
[01:05:29] fucking awesome i was gonna say yeah like steam your
[01:05:34] and the tri-reading emcee thing would rip out of your movements
[01:05:41] oh okay also in 1983 zimbo's boy Phil Collins had his first UK number one single with his
[01:05:48] version of you can't hurry love hit for the supreme's in 1966 uh speaking of mo-
[01:05:54] while we were we were talking about Motown during the break Collins version was the very first
[01:05:58] track on the very first now that's what i call music CD you know you used to have to buy if you
[01:06:04] wanted to listen to music in the 90s yeah i have to ask why you do would um
[01:06:12] do what you just did because it seems a little mean spirited trying to stir shit up
[01:06:18] i mean what was right right we hold on so here's the thing
[01:06:22] it is it is a universally held i don't even want to say belief it's a rule it's it is
[01:06:29] undisputed that Phil Collins is the better vocalist for the band genesis dude what the fuck are you
[01:06:34] out of your mind thank you thank you okay okay this thing okay i was like if we have the same
[01:06:40] right now with mouth kiss you right now i was gonna scare you away or anything i'm just saying
[01:06:46] i do like a girl with sky but no Collins is a piece of wrapped up candy
[01:06:53] compared to Phil Collins i mean compared to Peter Gabriel do you really think that
[01:06:58] no i the the funniest part about it i don't care at all well we'll just
[01:07:01] expect that's fair right and it feels differently wait Brian who do you think
[01:07:07] wait Phil Collins why does it feel Collins guy he's got two ears in a heart
[01:07:11] you know it's it's it's it's it's stir the pump
[01:07:16] let Peter Gabriel's first Phil Collins which to me red flag i'm sorry that's a
[01:07:21] problem i have a pop sensibility i will say though as much love as i have for Phil Collins
[01:07:26] this cover is fucking trash and the fact it's not that a hit number one is like unbelievable
[01:07:33] it's so bad Phil Collins is a lot of questionable things this one going number one is probably
[01:07:40] like the biggest a turn that ever existed still trying to get over the Phil Collins thing
[01:07:46] the musical turn take it take a musical shit in my mouth
[01:07:54] i'm sorry i didn't even sit out wow wow
[01:07:58] that's all right in 1972 um
[01:08:03] summer claims a piece of shit american pie started a four-week run at number one in the US
[01:08:07] English charts can i tell you i hate that song with a fucking yeah dude i am with you i
[01:08:12] can't even listen to the first note of it without wanting to just stand my ears dude i fucking hate
[01:08:17] actually it's still working sometimes it'll come on in my house and if i don't actively turn it off
[01:08:22] my wife notices she's like really you haven't turned the chase song yet because like i fucking hate
[01:08:28] that song uh and so many people like sing along to it and it's 11 fucking minutes long it's so
[01:08:34] it's i just hate the people but like bring it up it like karaoke and want to sing i'm like
[01:08:38] you really get your money's worth motherfucker you really want to bother people that long
[01:08:43] but i will say um story love but you can already don't make claims american yeah well story
[01:08:50] night the Vincent van go his song about to go so good yeah it's that's a beautiful song so
[01:08:54] i'm not gonna do i'm not gonna piss and shit all over
[01:08:57] don't leave it like it it's more of that song than head
[01:09:01] well the thing is like american pie is it's it's a victim of its own success there's
[01:09:05] not the wrong with the song per se except for that because it was so successful and it is repetitive
[01:09:12] and uh i don't know so this fucking people gravel america he talks about america yeah
[01:09:19] yeah but my memory of it is so you know how like you just have to make mix tapes if you wanted
[01:09:25] so um this uh this bar and all side of the boss and be an re had these these bean mixes
[01:09:32] and um and this song is it was the last song on one of the sides of one of the tapes that they
[01:09:40] would play at the bar and it cut off because the tape wasn't long enough and i just always like
[01:09:47] expect him to be like it's like right in the middle of the word blues it's like i dig those
[01:09:51] rhythm in blue but he never gets to the falsetto it just cuts off right before
[01:09:58] and that's just what i mean it's like um somehow makes it work i have a a version of the song
[01:10:05] elevators by outcast that i download a rough a napster and i has a hitch in it and i can't hear the song
[01:10:10] without the hitch in it you know like if i hear it if i stream it on spotify now it's like it's like
[01:10:16] it's missing something because i heard my jacked up version of it for so many years
[01:10:20] oh dude that was like the whole napster kazan fucking line wire every there's so many songs i can
[01:10:26] think of that have that like that end early or there's some weird anomaly that happens in it
[01:10:33] where they were mis attributed but anyway uh in 1961 the supreme signed a world wide recording
[01:10:38] contract with motown records originally founded as the primates they became the most commercially
[01:10:44] successful of motowns acts and are two dates america's most successful vocal group was 12
[01:10:51] number one singles in that billboard hot one or was that true yeah i took two fucking columns to
[01:10:58] take a number one in the UK the brits are special god damn it had it for 22 years for that song
[01:11:05] to actually get somewhere i actually don't know that that their version did not hit number one in
[01:11:15] the UK before that presumably before 1983 if it was like Phil Collins was unseated by the supreme
[01:11:22] was with their own version of the song that he covered that that's just fucked up
[01:11:30] happy birthday in 1967 Lisa Valais Lisa Lisa in the cult jam Lisa Lisa in the cult jam
[01:11:39] happy birthday to her they were one of the first freestyle music groups to emerge from the
[01:11:43] New York city in the 1980s sugar walls sugar walls sugar walls they were ahead to tell
[01:11:55] the top who did sugar walls oh oh oh um princess drummer she can eastern she knew she was
[01:12:06] silly she did she was okay uh 1965 oh no i'm sorry jimma go ahead i believe that leezard is
[01:12:14] in the cult jam will also a miniapolis prince vehicle though am i wrong they according to my
[01:12:21] notes were one of the first freestyle music groups to emerge from New York city in the 1980s
[01:12:26] well that just makes me wrong doesn't you're very wrong sir not wrong Walter
[01:12:32] uh 1965 Adam Jones guitarist from american rock band tool happy birthday Adam Jones Eric
[01:12:42] your big tool Gary no shit yeah he took me say yeah a huge tool what was the name like Adam
[01:12:47] Jones like it's not like his name is like stone gossip like the way you said it i was like wait
[01:12:54] the band's theme angle baron per pink I have a huge tool guy what's your favorite tool song
[01:13:00] sober by far yeah so we're fucking off the first track silver but i will say there's a song
[01:13:05] 10,000 days off of 10,000 days that's 10,000 days this is amazing song it's a very long song
[01:13:10] but man if you hang it it's epic it's epic there's so many good songs
[01:13:15] yeah cool songs jimma what's your favorite tool song um it's probably like a perfect
[01:13:21] cerebral song actually not to be a chair not to be a chair not to be a tool
[01:13:26] not to be a pusifer Brian what's yours oh man um see Eric there are two tights people in the world
[01:13:34] there are the people who know what their favorite tool song is and then it's a good one man
[01:13:41] it's a stark finish yeah um i don't actually like all flat arous
[01:13:47] uh oh yeah yeah um i didn't know if you were saying the album or the song oh no no the
[01:13:53] the song or the whole album um i don't actually have i mean there's plenty of tools songs i like but
[01:13:59] like yeah is that one of us is it's like got to be boom boom boom what's that song who
[01:14:08] yeah okay nevermind um skit if i had to pick though off of that schism as it is
[01:14:12] skism is just awesome my favorite is uh uology of animal man so good
[01:14:21] it's so good he had a voice that was strong yeah i love it
[01:14:25] yeah that's just as you've seen him one this one i haven't seen him
[01:14:28] I'm touring right now okay so i have a role when tool goes on tour like my life comes to a stop
[01:14:32] and i have a three-state minimum i will travel or no three-state maximum i will tool a match
[01:14:36] two three states of three states to go see in like i've forever never ever ever ever have you see him
[01:14:41] many many times okay many times yeah i want to see i have to imagine that's a that's a
[01:14:46] fucking sick shot it is i always like every time you know it's cool as manard is such a fucking
[01:14:51] awesome singer and he's so arrogant and actually but he pulls it off deserves it yeah he just rocks it
[01:14:59] man like even the idea that doesn't show his face to the concert and you're like you son of a
[01:15:03] bitch you don't show me your face yeah he wears all those crazy mask and shit black and you can't see
[01:15:09] it and you're like you only look at you or like i've been in a concert where he's had his
[01:15:14] a song with his back to the crowd the entire concert that's called the mile status
[01:15:20] oh i know i know that my i was davis would not towards the previous yeah so he's not original
[01:15:26] what it was to me was different different yeah all right 1953 heavy birthday to
[01:15:33] Douglas elwin ericsson american musician songwriter screenwriter film producer and record producer
[01:15:40] do get it oh that's a good song yeah this is the guy who is not uh that's laterals that's
[01:15:51] all right that's the song
[01:16:03] so the other dude from garbage he was born in 1953 the guy who's not butch vick
[01:16:07] oh just like which big not butch vick and not surely manson the other guy
[01:16:11] the another little guy this perfect like two others it got me two or three
[01:16:15] thirteen oh man you have like a full team of musicians there's three three four
[01:16:18] and girls team here we go nice so this one was fun i put this in here just because we were talking
[01:16:25] about the talc it biff biffard singer of the english heavy metal band sacks and one of the leaders
[01:16:31] of the new wave of british heavy metal every birthday in musborg nineteen fifty one
[01:16:36] and nineteen forty eight ronnie vanzant leasinger skitter happy birthday ronnie vanzant
[01:16:43] died in 1977 long with Steve gains and kassy gains in the plane crash that you know kind of
[01:16:51] killed lunatic skitter dude dying a plane it's like a weird way to die well it's a lot of rock
[01:16:57] starts it because they're traveling all the time their planes average fucked up yeah well they're
[01:17:01] traveling a small planes too yeah that was a small plane's weather weather yeah scary bro i have
[01:17:08] tiny ones like like probably yeah the one with funnel jumpers yeah they're just shaking it's
[01:17:13] really loud i'm a bad flyer like i actually have a problem lying i will do and it's a bad scene
[01:17:18] i gotta be really drunk okay we'll remind you kind of with you cuz i don't want you to like
[01:17:24] dig your nails into my i'll put on a strong face i got kids and i have to fly in front of
[01:17:29] my kids and i just put on a man face but i'm crying on the inside it's pathetic dude i
[01:17:34] was saying same same same same same uh it's like i will do i will go to great lengths to avoid flying
[01:17:42] to an alpha so i won't actually take the annex now
[01:17:45] i want to do it such a good places but i don't want to get off the ground to do it
[01:17:51] i'm thinking about amtrak is a better solution but you can't get to australia
[01:17:56] yeah you can i don't just take the name track this is a long time you have to take a photo
[01:18:03] it's a weird train oh that's a lot more than you're in the navy you're in the navy so you get this
[01:18:08] good is it it's sub-bearing sub-duty yeah um
[01:18:14] and 1979 the grateful dead played the springfield civics center in springfield mass two sits
[01:18:19] hey does anyone here like them no i i like only will only will i'm not i'm not like a dead head
[01:18:25] by any means but you know they're fun i prefer to make a play of
[01:18:29] a interesting date that they actually played every time we're so my theory is that we will never
[01:18:36] get to a date that they didn't watch it happens once it's not once you watch oh no shit
[01:18:42] i'm thinking about twice actually yeah i'm actually surprised yeah i was surprised
[01:18:46] i think he was that correct because i've been keeping track of here
[01:18:50] but i have it there all she's good but he wasn't too much what the
[01:18:53] most i did find today or the noise about the frightful deathful shit
[01:18:57] the cartoon oh right what is talking about the top 10 this is the billboard top 10 from
[01:19:03] July 28th 1984 this is the week that ride a lightning came out so this was the top 10
[01:19:09] woman talc uh put out it was one of the greatest metal records
[01:19:13] eighty one eighteen forty eighty four year old is born
[01:19:16] the greatest one one does one month after my um
[01:19:22] twenty thirteen birthday thank you i was too i was just born
[01:19:28] if you say you went down scry because it's amazing jack
[01:19:31] to go to my dad was number one when does cry i think jimbo's my dad did anyone catch that
[01:19:36] there you go um jimbo's your dad is that a friend song was it my friend so my favorite print song okay
[01:19:43] real quick okay okay okay okay i've been listening to a lot of around the world in a day and i think that
[01:19:49] um it's called uh so condition of the heart no no no that's not it my favorite is probably
[01:19:57] the beautiful ones there i said it the beautiful ones is my favorite print
[01:20:01] what's your favorite print song i'm gonna be lame to say purple rain man that's that's fair brown
[01:20:05] it's a good bucket song dude it's not lame at all no it's amazing um mine is a trust of the Batman soundtrack
[01:20:12] oh really i don't know you know not about me and slung off the Batman
[01:20:18] bad dance i celebrate that entire record mine is definitely kiss love that song
[01:20:25] okay
[01:20:27] yeah
[01:20:27] okay
[01:20:28] nice
[01:20:28] nice shoe sense so i just love out only one person could fit that into a song and have it
[01:20:33] not sound stupid in that's print yeah so this is the fucking badass he really was like
[01:20:38] the baddest ass of um i don't know he owns a ton of menapolis that's pretty cool
[01:20:44] dude one of the greatest moments of life is he played the super bowl and he's playing purple rain
[01:20:48] oh yeah in the rain in the rain in the rain
[01:20:50] in the rain
[01:20:52] he really didn't believe in god also a joiner said we did we did a episode about all about
[01:20:58] super bowl all about the best super bowl performances you know what they said everyone said when
[01:21:05] make it rain harder he said make it rain harder
[01:21:09] dude see i again i don't believe in god but he must be real or she must be real
[01:21:14] because that fucking happened when when that happened i remember i was i was i was
[01:21:19] blind drunk we're having a circle part and i remember declaring loudly that i was like prince can
[01:21:24] have any person in this party man or woman and then people like disagreed i was like you'd do it for
[01:21:30] the story
[01:21:32] finally and then he made his pancakes
[01:21:35] it doesn't matter
[01:21:38] shirts against black challenge and made his way
[01:21:41] okay
[01:21:42] stop bring your friends
[01:21:44] eat your friends all right yeah the episode of uh fucking new girl where they go to the prince party
[01:21:50] oh my god she wants to just just just start playing ping pong with him all night
[01:21:54] and it's badass dude there's no CG there these two are playing ping pong volley like mother fuckers
[01:22:00] like the speed of it and they're keeping their lines they're doing their lines as they
[01:22:04] get that get that get that get that get that get that it's incredible look up go just google
[01:22:11] jimmy fowlens ping pong with prince story it's hilarious you don't know what you're talking about
[01:22:17] either you're talking about nice or whichever one it was but yeah yeah yeah all right number two
[01:22:22] ghostbusters by ray parker jim cool ball ball but a band band band boom boom fuck i want a new drug
[01:22:29] yeah no spell absolutely that's not but well we got to redo that now we also have a pill
[01:22:34] yeah we had to redo that one uh number three dancing the dark by Bruce Brace then
[01:22:39] that's a great song i'm from jersey it's in my blood yeah we're programmed to like dude
[01:22:43] yeah you have to right like it really is like a thing bond drivey and Bruce yeah do them okay
[01:22:49] just so fun thanks a lot of new jersey home of bond jovy and Bruce bracing one of only two states
[01:22:56] in the union without an official state song dude it's not living on a prayer no have no it's because
[01:23:02] they can't just support in between i am calling governor christie like that's pretty sure it's cool
[01:23:06] the gang actually um say hello break good I think it's pretty much I will um number four is state of
[01:23:17] shock by the jackson's with me oh yeah jagger oh yeah i listen to it yet weird so
[01:23:25] a state of shock yeah it's not great it's okay um but you know what is great number five
[01:23:31] eyes without a first liability maybe his best work maybe his best work yeah
[01:23:40] yeah yeah yeah yeah yeah yeah i used to think it was face without eyes
[01:23:45] and it's a hundred percent true which really sounds scary as fuck yeah that's a tight that's a title
[01:23:54] for movie whatever they are big things out um number six was infatuation by rads twitter oh yeah
[01:24:02] you remember that one oh yeah it's juay sure yeah i was like it was like a really um
[01:24:09] there was a lot of breathing and grunting grunting and breathing and squealing
[01:24:16] rads to it in his grunting breathing squealing period oh yeah it could do without that sad song's
[01:24:24] in a print to see say so much by hilton john yeah yeah
[01:24:29] uh number eight legs by cc top i saw them in 10th grade that wasn't 84 so
[01:24:34] the peak fuzzy guitarist to play to play legs i guess so you want to talk about like songs like
[01:24:39] hitting a minor through before hitting a major third round and then better don't add up
[01:24:43] and then and then there that up that's that's a do it up let's think is them is the minor
[01:24:48] third before the major third round and then but didn't do it up and then but didn't do it
[01:24:53] what this means oh no no no no no no no no no it was what's the love guy to do with it
[01:24:59] oh yeah Tina yeah damn this is a what it this is a hot list dude but this is really good list
[01:25:06] there's no metal on this list but uh and and there won't be with number 10 number 10 is jump
[01:25:11] for my love by the pointer sisters so chop it to see we said that would have been close but now
[01:25:19] no metal uh that has been this experience for years it's started a long time but it would have been
[01:25:27] like this doesn't get it's fair shake we have it that's what matters it's a
[01:25:32] little bit it's in your heart it exists it's in your black black heart darkness that
[01:25:37] the list is on oh speaking of the darkness in your bones oh yeah dude like the band the darkness
[01:25:42] because you guys got anything else kind of right i do like the darkness but i love the darkness
[01:25:46] i'm done little thing calls up um that is it ladies and gentlemen thanks again for joining us
[01:25:53] that's the show and until we meet again always always be better and get a victory every day